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The current issue of Antiques & Fine Art profiles Frank Maresca. It also shows his apartment in Manhattan, which is always a treat not only because I love Frank's collection and his skill of design, but because there is often shown an object or two which speaks particularly loud to me, the primitive and powerful work of Herman (Bridgets) Bridgers. More than anyone Frank has shown how to present American folk art sculpture as the art it IS. Well-lite, on pedestals, with room to be seen, appreciated and to breathe. Frank has been an influential gallerist. writer, curator and designer for nearly 30 years, and through his books and exhibits he has literally changed how a country looks it its own art. No small feat. Mr. Maresca has always championed the work of a modest artist who lived in Enfield, North Carolina I wrote about in 1996. Seeing some of his work again in the magazine reminded me it should be archived online, so here it is.